Dear Peter Tolan,
Look at me. I've missed the whole point, haven't I? That's okay. Consider the first three parts character development. Now we get to the point--why I want to work on your show.
I love risk-taking stories that care more about relationship and the organic, committed building of a world than contrived special events and arbitrary coupling-up and tearing apart. Ferocity and spirit are rare in television. You, Perry, Showtime, Rochester? That's some drama I want to be a part of. I know I haven't earned baby writer status just yet, but I'm smart as hell, cool as hell frozen over, and one hungry, original, awesome, generous, spirited, and did I mention tall before? woman.
Oh, and bonus: I have an eye for detail that really pisses people off. Who likes being told that they forgot about a character, didn't resolve a situation, or resurrected an object in Act 4 that was broken in Act 2? No one, but I don't mind being that person. It's for the good of the story, for the integrity of the show, and nothing matters more than treating the audience like they deserve the best.
Best,
K
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